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I had to ad lib that part in the studio to make that work. I’m not one of those who can easily hide,” then blending into “Sacrifice.” GM: Let’s move from “Your House” to “Your Song.” You surprised me at the beginning of your recording of Elton John’s “Sacrifice” by opening with his “Your Song” lines of “It’s a little bit funny, this feeling inside. It felt so honest and raw and made me want to listen to more of her music and discover some of her other songs, so I kept “Your House” tucked away in my mind until I could do something with it. She has a couple of versions of “Your House” and the one I first heard was a cappella, sung in an echoey room. Later, in college, a friend of mine introduced me to “Your House” and I felt like I met Alanis in a different way through that song. My babysitter would drive me around a lot with the radio on, so I learned those songs from her.
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I grew up on “Ironic” and “Head Over Feet” when I was a kid. I’ve always really liked Alanis Morissette. JM: I like the story that the song tells too. I had a copy of Alanis Morissette’s Jagged Little Pill on cassette, and it didn’t have that CD bonus track, which is gentle and honest. GM: Another song that I heard for the first time recently is “Your House,” which you taught me.